![]() They take in not just streets and squares, but also landmarks and beauty spots including Stonehenge, the Yorkshire Dales and, as the show opens with Bryson's arrival in Dover, the iconic White Cliffs.Īnd so we, the audience, get to share Bryson's impressions of Britain, starting with his first back in 1973. The stroke of genius is to open out the space with George Reeve's inspired video projections. It provides the cosy interiors of pubs, guest house dining rooms and even a cinema, all places where Bryson encounters and embraces an astonishing array of locals and fellow visitors. ![]() Thanks to artistic director Paul Hart's own sense of intimacy with the space he loves and his long-established working relationship with designer Katie Lias, the tiny stage is perfectly set up to host Bryson's wanderings and wonderings. Tim Whitnall's stage adaptation of Bill Bryson's love letter to his adopted home has found its ideal home in the warm intimacy of the Watermill Theatre. ![]()
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